Landscaping with Trapcode Form

Video production in Sydney, corporate, communications, media, events, motion graphics, interviews, camera work, editing & post production services.

Here’s a little something I put together the other day with Trapcode Form. I haven’t upgraded to the latest versions yet, so this is made with version 1 (point something). Every single element, from the flowers to the grass to the sunset was created using various form particle maps.

It’s not intended to be anything special, and I’m not planning on doing a tutorial on it (frankly, I fiddled around with it so much, I’m not sure I could remember exactly how I got to the end result!) But if you’d like me to cover off some of the key techniques (or would like me to post the project file) let me know by leaving a comment, and I’ll see what I can do.

Just got an email asking if I had any advice to someone looking to get into video production and motion graphics, and after writing what ended up as a lengthier response than I’d originally intended, I thought I’d post it here to see if anyone else had anything to add.

It’s certainly not exhaustive – I could have written pages more – but here it is.
Anyone else got any advice they’d like to offer – or do you think I’ve got it wrong? Post a comment.

Hi Jack,
I’m not sure that I can offer anything but the most generic advice you’re likely to hear! I came to video production in a very roundabout way – I started off as a graphic designer, took a side-turn into call-centre management, then ended up as an IT journalist, which stuck for a while.
I specialised in digital imaging technology, the newly-emerging digital video market in particular, and ended up moving from writing about it to doing it as the companies I wrote for gradually moved into this new medium. So I have no formal training, and no experience in a ‘true’ broadcast environment. So no advice to offer as to how you’d get into TV or movie production.

As a newcomer, you’ll face a number of challenges, some of which are new and some of which have been around for years. The good news is, the demand for video content is exploding, so you’re looking at a healthy and vibrant industry. If I had kids, I’d probably be recommending it to them as a career choice (that and accountancy – not so sexy perhaps, but certainly always in high demand!)

The biggest challenge is accessibility: high-powered PCs are commonplace and digital video cameras are cheap. So everyone has access to these tools. And while they may not have the skills that you have, they don’t know this. Convincing people to pay you for something that they think they can do themselves is always going to be difficult, particularly now that production values are considered a lot less important.

Something else you need to bear in mind is that motion graphics production is just like any other creative profession.
You may dream of producing glossy car ads or in-movie effects, but you may have churn out a lot of mundane stuff in between the cool jobs.

Looking into the future, it’s impossible to predict where a career in video production will take you – we may be seeing the early stages of long-form content’s death spiral as it gets replaced by home-baked productions and ever-decreasing audience engagement figures. That said, ten years ago, companies were questioning why the heck they needed a website, these days the same companies are asking themselves the same question about video. So things are actually looking pretty bright for the budding video professional – though the commoditization of video means that competition drives the price down (we’re already seeing mograph sweatshops in India undercutting western setups).

I realise that there’s not really much in the way of advice, here. So here are some things that I think you might find useful:

1. Don’t overlook the principles of design. Typography, spacing, balance and colour are vital whether your work is moving or static. I had a graphic design lecturer who would look at every layout I produced and ask me what each element was for. If I couldn’t provide a satisfactory answer, he’d tell me to remove it.

2. Drink in other people’s work, but try to avoid being derivative (pretty difficult). Finding your own style is just as important as knowing how to use your tools – it’s this that will get you noticed. Experiment with new techniques – there is no wasted time in this.

3. Be confident, but be open to criticism. One of the greatest skills in any creative role is the ability to present and explain your work. But one of the things I had to learn was that not everyone thinks your ideas are brilliant.
Never fall in love with your first idea – always be prepared to adjust and adapt.

4. Don’t expect it to happen overnight. In a world that encourages you to want (and expect) everything to happen immediately, it’s easy to be frustrated when things don’t go your way straightaway. You could be lucky (or brilliant enough) and get a great gig straight off the bat. But the reality is that success still takes effort and patience. I’m fast approaching 42, and I’m still having to put in the hard graft.

Wow – I sound really old now. Think I’ll go make myself a cup of hot chocolate and go lie down.

So be confident, be outgoing and be prepared to work at it. It can be very rewarding.
I wish you the very best of luck in your chosen career, unless of course you end up pitching for a gig that I’m after. In which case, I hope you fail. :)

Seriously – best of luck mate,
:l

I spoke to David Flynn over at the Sydney Morning Herald about how I use my iPad for business the other day, and he’s written it up (along with examples from other small businesses) as an article on how this consumer-focused device can also turn itself into a worthy commercial tool.
You can read the full story here.

CS5 Install progress

Installing Adobe CS5

Got my copy of CS5 today. Installing it while I type this. I’m pretty excited after seeing the new features demonstrated at the press gig a couple of weeks back.
First observation – they weren’t kidding when they said CS5 is 64-bit. Personally I can’t wait to see After Effects in 64-bit on my PC (I was using CS4 on a Mac, which was only 32-bit), but some may be surprised to find that Premiere Pro and After Effects are now 64-bit only.
I’ll be reviewing the Production Premium elements as soon as I can (got a couple of jobs on, so it may take a few days for the first articles to come through). So check back (or subscribe to the RSS feed to be updated automatically).

Now I just need another 4GB of RAM to make this thing really fly!

Free textureFrom time to time, I’ll be adding textures to my Flickr account – you can download these for free and use them in your own video projects. To get started, I’ve uploaded three textures, 2 concrete and 1 metal, and I’ll add more whenever I have them.

You’ll see latest textures will be shown in the sidebar, or you can see them all by clicking on the Flickr link at the top of this page.

Hope you find them useful!